Following the Bandung Workshop, held at the Bandung Institute of Technology, in August -September 2015, the participants and leaders of the Ambitious Alignments research project will re-convene for the final time in Singapore, at the National Gallery Singapore, host of the five-day event. This upcoming workshop will give all Ambitious Alignments participants the opportunity to lead discussions and consider new directions of research in Southeast Asian art. The program also includes meetings with the curatorial teams of National Gallery Singapore, Singapore Art Museum and the Asian Civilisations Museum. The participants can look forward to conversations with the curators about the collecting, exhibiting and curating of Southeast Asian Art.
On 22 and 23 January, National Gallery Singapore will host a two-day public symposium where the participants will share their exciting research projects publicly for the very first time. For an early preview of the program, click on the Show Program button below. The program can also be downloaded here.
Please note that the schedule is subject to changes.
Date | Time | Itinerary |
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22/1 (Fri) - PUBLIC SYMPOSIUM DAY 1 Ambitious Alignments: New Histories of Southeast Asian Art Venue: Auditorium, City Hall wing B1 | 0900-0930 | Arrival |
0930-0940 | Welcoming Remarks | |
0940-1000 | Opening address Dr. Eugene Tan, Director, National Gallery Singapore | |
1000-1030 | Introducing the Ambitious Alignments Research Programme Prof. Mark Ledbury, Power Professor, University of Sydney | |
1030-1100 | Morning Tea & Refreshments @ Auditorium foyer (open to public) | |
1100-1230 | Panel 1 – Politics, Landscapes and the Making of National Narratives Moderator: Dr. Phoebe Scott, National Gallery Singapore Thanavi Chotpradit Re-Establishing the “King”dom: The Anti-Communist Monuments in the Thai Highlands Roger Nelson “The Work the Nation Depends On”: Nhek Dim, “Cambodian Modern Artist” Bùi Thị Thanh Mai Research on Optimistic Characterization: Paintings by Tran Van Can, Mai Van Hien, and Nguyen Thu | |
1230-1330 | Lunch @ Auditorium foyer (not open to public) | |
1330-1500 | Panel 2 – Writing new Histories of Art: Re-examining the Archive, the Text and the Image Moderator: Shabbir Hussain Mustafa, National Gallery Singapore Aminudin Tua Hamonangan Siregar Errata and Addenda: Claire Holt and Indonesian Art Historiography Eileen Ramirez Embodied Subjectivities: Counting on the Unreliable to Write Affect into Histories of the Site Specific Kelvin Chuah The Loke Wan Tho Collection: Collector & Supporter of Cheong Soo Pieng | |
1500-1530 | Afternoon Tea & Refreshments @ Auditorium foyer (open to public) | |
1530-1700 | Panel 3 – Recovering Networks and Alliances: Regional aesthetics, Art and the Politics of exhibiting Moderator: Seng Yu Jin, National Gallery Singapore Brigitta Isabella Politics of Friendship: Internationalism in Indonesian art scene during the 1950s-1960s Michelle Wun Ting Wong On Becoming Modern: Exhibiting Hong Kong in Manila, 1960s and 1982 Vera Mey Curating a region: Charisma and Leadership in Sihanouk's performances and Shui Tit Sing's art | |
1700-1715 | Brief closing remarks Low Sze Wee, Director (Curatorial & Collections), National Gallery Singapore | |
23/1 (Sat) - PUBLIC SYMPOSIUM DAY 2 Ambitious Alignments: New Histories of Southeast Asian Art Venue: Auditorium, City Hall wing B1 | 0900-0930 | Arrival |
0930-1100 | Panel 4 – Problematizing Identities: Nations in Transition and the Political in Art and Architecture Moderator: Prof Stephen Whiteman, University of Sydney Simon Soon Place of Learning: Landscape and Cultural Topographies of Nanyang University and the Chinese University of Hong Kong Chomchon Fusinpaiboon Modern Thai in Transition: Prince Vodhyakara Varavarn and Architecture in Thailand during the 1950s and 1960s Nathalie Johnston Image as Nation: Seeking Identities of a Post-Colonial Burma | |
1100-1130 | Morning Tea & Refreshments @ Auditorium foyer (open to the public) | |
1130-1300 | Panel 5 – New meanings in Painting and Photography: Re-examining art historical narratives and approaches Moderator: Dr. Sarena Abdullah, Universiti Sains Malaysia Melissa Carlson Painting Through the Cheroot Haze: Censorship and Female Artists in Socialist Burma (1962-1988) Wulan Dirgantoro Aesthetics of Silence: Trauma and Indonesian Modern Paintings Clare Veal Beyond Reality: Locating the Sur-Real in Thai Photography | |
1300-1400 | Lunch @ Auditorium foyer (not open to the public) | |
1400-1500 | Response to the Ambitious Alignments conference papers Prof Ashley Thompson, SOAS, University of London | |
1500-1530 | Thoughts on the Ambitious Alignments Workshops and Conference Prof Adrian Vickers, University of Sydney | |
1530-1600 | Afternoon Tea & Refreshments @ Auditorium foyer (open to the public) | |
1600-1640 | Writing New Histories of Art in Southeast Asia: Some Thoughts Prof T.K. Sabapathy, National University of Singapore | |
1640-1700 | Closing Address Prof. Mark Ledbury, University of Sydney | |
1800-2000 | Closing Dinner hosted by the Gallery |
*Note: Please ensure to check back here regularly for updates. This program is subject to change.
Participants and leaders re-convened in Indonesia for a two-day cultural visit to Yogyakarta and a five-day research workshop at the Institute of Technology, Bandung. Throughout the workshop, the scholars shared their research findings on a range of topics to attending leaders and guests, and debated key issues related to art historical methodologies, approaches and frameworks in small-group discussions. Regional leaders, Professor T.K. Sabapathy from National University of Singapore and Professor Patrick Flores from University of the Philippines, conducted seminars on the writing of Southeast Asian art histories, and discourses of the Contemporary in Southeast Asia, respectively. Participants also attended a public event, Connecting Southeast Asian Art Histories, with talks and round-table discussions given by invited guests and regional leaders on a range of pertinent issues centring the writing, curating and historicizing of Southeast Asian art.
Throughout the five-day workshop, the scholars were given opportunities to visit museums and art spaces significant to Bandung’s cultural scene. Professor Adrian Vickers led everyone on a specialist tour to the Asia African Conference museum, extending discussions on regional politics that germinated during the workshop discussions. The participants were also given a glimpse of the local contemporary art developments when they were warmly hosted and shown an exhibition preview by Bandung’s eminent artist, Sunaryo Soetono, at Selasar Sunaryo Art Space.
This second phase of Ambitious Alignments earmarked the beginning of an exciting colleagueship of future young scholars committed to developing new directions in Southeast Asian Art History. There is little doubt that key milestones in research development were met during this workshop in which deep engagements with the participants’ various research projects were achieved. We look forward to their final presentations in the upcoming Singapore Workshop and Public Symposium, 18 – 24 Jan 2016.
The Ambitious Alignments Bandung Workshop will take place on 31 August 2015 at the Bandung Institute of Technology, Galeri Soemardja. Click on Show Program for an early preview. The program can also be downloaded here.
N.B. The schedules as listed are subject to changes.
Date | Time | Itinerary |
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31/8 (Mon) Galeri Soemardja ITB | 0900-0930 | Participants and Leaders arrive |
0930-1000 | Opening address and Introduction | |
1000-1100 | Participants’ Presentations | |
Aminudin Tua Hamonangan Siregar Claire Holt and Historiography of Indonesian Modern Art: A Historiographical Research on Claire Holt’s Thoughts, Archives and Documents | ||
Roger Nelson To the Free World and Back: Nhek Dim, “Cambodian Artist” | ||
1100-1130 | Morning Tea | |
1130-1230 | Participants’ Presentations | |
Bùi Thị Thanh Mai Research on Optimistic Characterization: Paintings by Tran Van Can, Mai Van Hien, and Nguyen Thu | ||
Chomchon Fusinpaiboon Mom Chao Vodhyakara Varavarn and Architecture in Thailand during the 1950s and 1960s | ||
1230-1330 | Lunch | |
1330-1500 | Participant’s Presentation Workshop: Small group discussion* | |
1500-1530 | Afternoon Tea | |
1530-1700 | Yielding a Region. Writing Art in Southeast Asia. Seminar led by Prof T.K. Sabapathy | |
1800-2000 | Opening dinner at Prama Grand Preanger | |
01/9 (Tue) Galeri Soemardja ITB | 0900-1100 | Visit Asia African Conference museum, specialist tour led by Prof Adrian Vickers |
1100-1200 | Depart for Galeri Soemardja ITB Morning Tea | |
1200-1300 | Participants’ Presentations | |
Melissa Carlson Art versus Artifice: Burmese Painting and National Identity under censorship (1964-1988, State Socialist Period) | ||
Brigitta Isabella From Asia Africa to Southeast Asia: Politics of Friendship in the Construction of Collective Cultural Identity (1955-1967) | ||
1300-1400 | Lunch | |
1400-1500 | Participants’ Presentations | |
Clare Veal Art, Dharma and the Darkroom: Surrealism and Photography in Thailand, 1950-1990 | ||
Thanavi Chotpradit To the Fallen: The Cold War Memorials in Thailand | ||
1500-1530 | Afternoon Tea | |
1530-1700 | Participant’s Presentation Workshop: Small group discussion* | |
02/9 (Wed) Galeri Soemardja ITB | 0900-0930 | Participants and Leaders arrive |
0930-1030 | Participants’ Presentations | |
Vera Mey Charisma and Leadership | ||
Michelle Wun Ting Wong Realigning Global Coordinates: The Case of Hong Kong and Manila, 1960s and 1982 | ||
1030-1100 | Morning Tea | |
1400-1500 | Participants’ Presentations | |
Simon Soon Place of Leaning: Comparing the cultural topographies of Nanyang University (NU) and the Chinese University of Hong Kong (CUHK) | ||
Kelvin Chuah The Legacy of Loke Wan Tho: A Research on the Man and his Art/tistic Contributions | ||
1200-1300 | Lunch | |
1330-1500 | Participant’s Presentation Workshop: Small group discussion* | |
1500-1530 | Afternoon Tea | |
1530-1700 | Attempts to Co-locate and to Coincide: Southeast Asia in the Contemporary Seminar led by Prof Patrick Flores | |
03/9 (Thu) PUBLIC EVENT: Connecting Southeast Asian Art Histories Ruang Seminar, Faculty of Art and Design Jl. Ganesha no. 10 Bandung | 0900-0930 | Participants and Leaders arrive |
0930-0945 | Welcome Speech Dr Yustiono, Senior lecturer, Aesthetics and the Science of Art Research Group | |
0945-1015 | Opening address: Introducing the Ambitious Alignments Program Prof Mark Ledbury | |
1015-1045 | Morning Tea | |
1045-1130 | Enmeshed Art Histories - the case of The Other Story Hammad Nasar | |
1130-1215 | Lexicon of Latitude: Southeast Asia as Extensive Locality Prof Patrick Flores | |
1215-1330 | Lunch | |
1130-1215 | Problems in Indonesian Art centers and Museums Dr Agung Hujatnika | |
1415-1500 | Q & A: Open discussion with Hammad Nasar, Prof Patrick Flores and Dr Agung Hujatnika | |
1500-1530 | Afternoon Tea | |
1530-1700 | Roundtable Discussion: What shapes, what holds back, and what will push forward art history in Southeast Asia? Moderator: Emeritus Prof John Clark Discussants: Prof. T.K. Sabapathy (National University of Singapore); Prof. Patrick Flores (University of the Philippines), Low Sze Wee (National Gallery Singapore), Dr. Thomas Berghuis (Museum MACAN), Hammad Nasar (Asia Art Archive), Prof. Adrian Vickers (University of Sydney) | |
1700-1715 | Closing address | |
1730 | Depart for S14 by bus | |
1830-2030 | Private closing reception at S14 | |
04/9 (Fri) Galeri Soemardja ITB | 0900-0930 | Participants and Leaders arrive |
0930-1100 | Participants’ Presentations | |
Wulan Dirgantoro Trauma and Silence: Affect in Indonesian Paintings, 1970-1980 | ||
Eileen Ramirez Triangulated Subjectivities: Counting on the Unreliable to Write Affect into Histories of the Site Specific | ||
Nathalie Johnston Image as Nation: Seeking Identities of a Post-Colonial Burma | ||
1100-1230 | Morning Tea / Prayer Break | |
1230-1330 | Lunch / Prayer Break | |
1330-1430 | Participant’s Presentation Workshop: Small group discussion* | |
1430-1500 | Closing remarks, evaluation and discussion: Preparation for Final Presentation | |
1500 | Exhibition Preview led by Mr Sunaryo Afternoon Tea | |
1630 | Depart for Lawang Wangi Creative Space by bus | |
1700 | Visit Lawang Wangi Creative Space Optional walking tour to Art Hotels | |
1800-2000 | Closing dinner at Lawang Wangi Creative Space Restaurant |
*Note: Please ensure to check back here regularly for updates. This program is subject to change.
The Sydney Convening Meeting, which kicked off on 3 February 2015, at the University of Sydney, Camperdown, came to a successful close on 5 February 2015. Over three days, the scholars attended lectures by field experts, a reading seminar led by the Sydney leaders, and visited museums and special collections. Not only were the participants given opportunities to share their original research ideas with fellow participants, they also received invaluable feedback from attending field specialists and leaders. Some highlights included the tour given by Dr Stan Florek and Dr Siobhan Campbell on Anthony Forge’s Kamasan Collection at the Australian Museum (read blog entry), and the conversation session with Dr Michael Brand, at the Art Gallery of New South Wales. There is little doubt that the many stimulating conversations over coffee and food across the three days have given the participants plenty to think and talk about. It is precisely this type of congenial and convival environment that we hope would encourage colleagueship among the participants, drawn together by their deep interest in Southeast Asian art and history. We look forward to more intense discussions in the upcoming Bandung Workshop, 30 Aug-5 Sep 2015.
The Sydney Convening Meeting will kick off on 3 February 2015 at the University of Sydney. We welcome our international candidates and leaders, many of whom will be flying long distances to attend this three-day meeting.
Click on Show Program for an early preview of the many interesting talks and events lined up. The program can also be downloaded here.
We look forward to meeting everyone very soon!
Date | Time | Session |
---|---|---|
Day 01 03 Feb 2015 | 9.00 – 9.30 | Morning Tea (CCANESA) (view map) |
9.30 – 9.45 | Welcome opening Prof Mark Ledbury | |
9.45 – 10.45 | Presentations by Group 1 [Thailand] Chomchon Fusinpaiboon Clare Veal Thanavi Chotpradit | |
10.45 – 11.15 | Tea Break* Candidates to sign-up for discussions with leaders on Day 3 | |
11.15 – 12.30 | Presentations by Group 2 [Indonesia/Malaya] Aminudin Siregar Kelvin Chuah Simon Soon Wulan Dirgantoro | |
12.30 – 13.00 | Lunch (CCANESA) | |
13.00 – 14.00 | “Establishing artists’ materials files and the efficacy of their mapping biographically, and in works: The different cases of Raden Saleh and Araya Rasdjarmrearnsook” Emeritus Prof John Clark | |
14.00 – 15.00 | “Thinking about Interculturality: A Case from 18th c. China and Europe” Dr. Stephen Whiteman | |
15.00 – 15.30 | Tea Break* Candidates to sign-up for discussions with leaders on Day 3 | |
15.30 – 16.30 | "Ethnographic Art History: Thoughts, Conversation” Prof Ken George | |
16.30 – 17.30 | “History meets Art history: Thoughts about common methodologies and disciplinary differences” Prof Adrian Vickers | |
Day 02 04 Feb 2015 | 9.00 – 9.30 | Morning Tea (CCANESA) (view map) |
9.30 – 9.45 | Opening Address Prof Adrian Vickers | |
9.45 – 10.45 | Presentations by Group 3 [Southeast Asia] Brigitta Isabella Eileen Ramirez Vera Mey | |
10.45 – 11.00 | Tea Break | |
11.00 – 12.00 | Talk and Session led by Prof Mark Ledbury | |
12.00 – 12.30 | Lunch (CCANESA) | |
12.30 – 13.00 | Proceed to Australian Museum by public transport | |
13.15 – 15.00 | Australian Museum Viewing of Anthony Forge Collection Talks by Dr Stan Florek and Dr Siobhan Campbell Session 1 [45min]: Groups 1 & 2 Session 2 [45min]: Groups 3 & 4 | |
15.00 – 15.30 | Tea break at Australian Museum Café | |
16.00 – 17.30 | Meeting at Art Gallery of New South Wales [Program TBC] | |
17.30 – Evening | *Optional: NSW Art Gallery public events 6.00 pm: Art Appreciation lecture series 2015 – “Botticelli: The virgin adoring the sleeping Christ Child” [Tickets online] 6.30 pm: Oz Pop talks, Steven Miller, archivist [Free with exhibition entry] 7.15 pm: Film series: Pop cinema Performance [Free] | |
Day 03 05 Feb 2015 | 9.00 – 9.30 | Morning Tea (CCANESA) (view map) |
9.30 – 10.50 | Presentations by Group 4 [Myanmar/Cambodia/Vietnam]: Nathalie Johnston Melissa Carlson Roger Nelson Bùi Thị Thanh Mai | |
10.50 – 11.50 | Tea Break Individual meetings with leaders in Break-out rooms (R.C. Mills Building) Candidates free to explore Schaeffer Fine Arts Library and collection | |
12.00 – 13.00 | Lunch (CCANESA) | |
13.00 – 15.00 | Reading Seminar Led by Emeritus Prof John Clark, Prof Adrian Vickers, and Dr Stephen Whiteman | |
15.00 – 16.00 | Tea Break Individual meetings with leaders in Break-out rooms (R.C. Mills Building) Candidates free to explore Schaeffer Fine Arts Library and collection | |
16.00 – 17.15 | Discussion and Planning | |
17.15 – 17.30 | Closing address Prof Mark Ledbury | |
18.30 – Evening | Dinner at Rubyos (Newtown) |
*Note: Please ensure to check back here regularly for updates. This program is subject to change.
On 18 January 2015, the Ambitious Alignments Web Application went live. With this private communication tool now in place, candidates and leaders can share innovative ideas and resources with one another. We believe that a platform such as this can serve to not only cultivate a collegial network but to also create important opportunities for collaboration in the future. Candidates are encouraged to participate actively in the discussion forums, and we look forward to plenty of interesting and stimulating discussion in the months to come!
Plans are now underway for the inaugural convening meeting held at the University of Sydney in February 2015. The leaders and participants will gather for the first time to meet each other, discuss their plans and research aims, and share ideas and methodologies. To read more about the Participants’ exciting research topics, click here.
Hosted by the Power Institute at the University of Sydney, this initial meeting will be held over three days. The group will work together to lay out their plans and expectations but also reflect on the problems and possibilities of the current state of Southeast Asian art history. The meeting initiates a project that will see the cohort re-convene first in in Bandung and then Singapore, to bring their research findings and working theses to intensive workshops with field experts. This website will be regularly updated with news and outcomes of all our meetings as well as audio and video segments curated by our participants and leaders.
The Power Institute is a research institute and public engagement space in visual art, which supports scholarship in the Department of Art History & Film Studies and throughout Australia, as well as the development of the Schaeffer Fine Arts Library, Visual Resources Library, Power Publications and a lively speaker program. A member of RIHA, the umbrella body for Research Institutes worldwide the Power is actively in partnership with institutions across the globe. We are delighted to be part of the transformational initiative of the Getty Foundation, “Connecting Art Histories”, which chimes so precisely with our own global and networked vision of twenty-first century scholarship in the visual arts. We’re very much looking forward to hosting such a brilliant and energetic group of early career scholars and to helping to nurture a vital series of personal and institutional connections.
More information about the Power Institute can be found here.