News and Updates

© National Gallery Singapore

Singapore Workshop and Public Event (19 - 23 January 2016)
Last updated 29 December 2015

Following the Bandung Workshop, held at the Bandung Institute of Technology, in August -September 2015, the participants and leaders of the Ambitious Alignments research project will re-convene for the final time in Singapore, at the National Gallery Singapore, host of the five-day event. This upcoming workshop will give all Ambitious Alignments participants the opportunity to lead discussions and consider new directions of research in Southeast Asian art. The program also includes meetings with the curatorial teams of National Gallery Singapore, Singapore Art Museum and the Asian Civilisations Museum. The participants can look forward to conversations with the curators about the collecting, exhibiting and curating of Southeast Asian Art.

On 22 and 23 January, National Gallery Singapore will host a two-day public symposium where the participants will share their exciting research projects publicly for the very first time. For an early preview of the program, click on the Show Program button below. The program can also be downloaded here.

Please note that the schedule is subject to changes.

22 Jan – 23 Jan 2016: PUBLIC SYMPOSIUM

DateTimeItinerary
22/1 (Fri) - PUBLIC SYMPOSIUM DAY 1
Ambitious Alignments: New Histories of Southeast Asian Art
Venue: Auditorium, City Hall wing B1
0900-0930Arrival
0930-0940Welcoming Remarks
0940-1000Opening address
Dr. Eugene Tan, Director, National Gallery Singapore
1000-1030Introducing the Ambitious Alignments Research Programme
Prof. Mark Ledbury, Power Professor, University of Sydney
1030-1100Morning Tea & Refreshments @ Auditorium foyer (open to public)
1100-1230Panel 1 – Politics, Landscapes and the Making of National Narratives
Moderator: Dr. Phoebe Scott, National Gallery Singapore
Thanavi Chotpradit
Re-Establishing the “King”dom: The Anti-Communist Monuments in the Thai Highlands
Roger Nelson
“The Work the Nation Depends On”: Nhek Dim, “Cambodian Modern Artist”
Bùi Thị Thanh Mai
Research on Optimistic Characterization: Paintings by Tran Van Can, Mai Van Hien, and Nguyen Thu
1230-1330Lunch @ Auditorium foyer (not open to public)
1330-1500Panel 2 – Writing new Histories of Art: Re-examining the Archive, the Text and the Image
Moderator: Shabbir Hussain Mustafa, National Gallery Singapore
Aminudin Tua Hamonangan Siregar
Errata and Addenda: Claire Holt and Indonesian Art Historiography
Eileen Ramirez
Embodied Subjectivities: Counting on the Unreliable to Write Affect into Histories of the Site Specific
Kelvin Chuah
The Loke Wan Tho Collection: Collector & Supporter of Cheong Soo Pieng
1500-1530Afternoon Tea & Refreshments @ Auditorium foyer (open to public)
1530-1700Panel 3 – Recovering Networks and Alliances: Regional aesthetics, Art and the Politics of exhibiting
Moderator: Seng Yu Jin, National Gallery Singapore
Brigitta Isabella
Politics of Friendship: Internationalism in Indonesian art scene during the 1950s-1960s
Michelle Wun Ting Wong
On Becoming Modern: Exhibiting Hong Kong in Manila, 1960s and 1982
Vera Mey
Curating a region: Charisma and Leadership in Sihanouk's performances and Shui Tit Sing's art
1700-1715Brief closing remarks
Low Sze Wee, Director (Curatorial & Collections), National Gallery Singapore
23/1 (Sat) - PUBLIC SYMPOSIUM DAY 2
Ambitious Alignments: New Histories of Southeast Asian Art
Venue: Auditorium, City Hall wing B1
0900-0930Arrival
0930-1100Panel 4 – Problematizing Identities: Nations in Transition and the Political in Art and Architecture
Moderator: Prof Stephen Whiteman, University of Sydney
Simon Soon
Place of Learning: Landscape and Cultural Topographies of Nanyang University and the Chinese University of Hong Kong
Chomchon Fusinpaiboon
Modern Thai in Transition: Prince Vodhyakara Varavarn and Architecture in Thailand during the 1950s and 1960s
Nathalie Johnston
Image as Nation: Seeking Identities of a Post-Colonial Burma
1100-1130Morning Tea & Refreshments @ Auditorium foyer (open to the public)
1130-1300Panel 5 – New meanings in Painting and Photography: Re-examining art historical narratives and approaches
Moderator: Dr. Sarena Abdullah, Universiti Sains Malaysia
Melissa Carlson
Painting Through the Cheroot Haze: Censorship and Female Artists in Socialist Burma (1962-1988)
Wulan Dirgantoro
Aesthetics of Silence: Trauma and Indonesian Modern Paintings
Clare Veal
Beyond Reality: Locating the Sur-Real in Thai Photography
1300-1400Lunch @ Auditorium foyer (not open to the public)
1400-1500Response to the Ambitious Alignments conference papers
Prof Ashley Thompson, SOAS, University of London
1500-1530Thoughts on the Ambitious Alignments Workshops and Conference
Prof Adrian Vickers, University of Sydney
1530-1600Afternoon Tea & Refreshments @ Auditorium foyer (open to the public)
1600-1640Writing New Histories of Art in Southeast Asia: Some Thoughts
Prof T.K. Sabapathy, National University of Singapore
1640-1700Closing Address
Prof. Mark Ledbury, University of Sydney
1800-2000Closing Dinner hosted by the Gallery

*Note: Please ensure to check back here regularly for updates. This program is subject to change.

Bandung Workshop (30 August – 5 September 2015)
10 October 2015

Participants and leaders re-convened in Indonesia for a two-day cultural visit to Yogyakarta and a five-day research workshop at the Institute of Technology, Bandung. Throughout the workshop, the scholars shared their research findings on a range of topics to attending leaders and guests, and debated key issues related to art historical methodologies, approaches and frameworks in small-group discussions. Regional leaders, Professor T.K. Sabapathy from National University of Singapore and Professor Patrick Flores from University of the Philippines, conducted seminars on the writing of Southeast Asian art histories, and discourses of the Contemporary in Southeast Asia, respectively. Participants also attended a public event, Connecting Southeast Asian Art Histories, with talks and round-table discussions given by invited guests and regional leaders on a range of pertinent issues centring the writing, curating and historicizing of Southeast Asian art.

Throughout the five-day workshop, the scholars were given opportunities to visit museums and art spaces significant to Bandung’s cultural scene. Professor Adrian Vickers led everyone on a specialist tour to the Asia African Conference museum, extending discussions on regional politics that germinated during the workshop discussions. The participants were also given a glimpse of the local contemporary art developments when they were warmly hosted and shown an exhibition preview by Bandung’s eminent artist, Sunaryo Soetono, at Selasar Sunaryo Art Space.

This second phase of Ambitious Alignments earmarked the beginning of an exciting colleagueship of future young scholars committed to developing new directions in Southeast Asian Art History. There is little doubt that key milestones in research development were met during this workshop in which deep engagements with the participants’ various research projects were achieved. We look forward to their final presentations in the upcoming Singapore Workshop and Public Symposium, 18 – 24 Jan 2016.

Program for Ambitious Alignments Bandung Workshop 2015
20 August 2015

The Ambitious Alignments Bandung Workshop will take place on 31 August 2015 at the Bandung Institute of Technology, Galeri Soemardja. Click on Show Program for an early preview. The program can also be downloaded here.

N.B. The schedules as listed are subject to changes.

31 Aug – 5 Sept 2015: Bandung Workshop

DateTimeItinerary
31/8 (Mon)
Galeri Soemardja ITB
0900-0930Participants and Leaders arrive
0930-1000Opening address and Introduction
1000-1100Participants’ Presentations
Aminudin Tua Hamonangan Siregar
Claire Holt and Historiography of Indonesian Modern Art: A Historiographical Research on Claire Holt’s Thoughts, Archives and Documents
Roger Nelson
To the Free World and Back: Nhek Dim, “Cambodian Artist”
1100-1130Morning Tea
1130-1230Participants’ Presentations
Bùi Thị Thanh Mai
Research on Optimistic Characterization: Paintings by Tran Van Can, Mai Van Hien, and Nguyen Thu
Chomchon Fusinpaiboon
Mom Chao Vodhyakara Varavarn and Architecture in Thailand during the 1950s and 1960s
1230-1330Lunch
1330-1500Participant’s Presentation Workshop: Small group discussion*
1500-1530Afternoon Tea
1530-1700Yielding a Region. Writing Art in Southeast Asia.
Seminar led by Prof T.K. Sabapathy
1800-2000Opening dinner at Prama Grand Preanger
01/9 (Tue)
Galeri Soemardja ITB
0900-1100Visit Asia African Conference museum, specialist tour led by Prof Adrian Vickers
1100-1200Depart for Galeri Soemardja ITB
Morning Tea
1200-1300Participants’ Presentations
Melissa Carlson
Art versus Artifice: Burmese Painting and National Identity under censorship (1964-1988, State Socialist Period)
Brigitta Isabella
From Asia Africa to Southeast Asia: Politics of Friendship in the Construction of Collective Cultural Identity (1955-1967)
1300-1400Lunch
1400-1500Participants’ Presentations
Clare Veal
Art, Dharma and the Darkroom: Surrealism and Photography in Thailand, 1950-1990
Thanavi Chotpradit
To the Fallen: The Cold War Memorials in Thailand
1500-1530Afternoon Tea
1530-1700Participant’s Presentation Workshop: Small group discussion*
02/9 (Wed)
Galeri Soemardja ITB
0900-0930Participants and Leaders arrive
0930-1030Participants’ Presentations
Vera Mey
Charisma and Leadership
Michelle Wun Ting Wong
Realigning Global Coordinates: The Case of Hong Kong and Manila, 1960s and 1982
1030-1100Morning Tea
1400-1500Participants’ Presentations
Simon Soon
Place of Leaning: Comparing the cultural topographies of Nanyang University (NU) and the Chinese University of Hong Kong (CUHK)
Kelvin Chuah
The Legacy of Loke Wan Tho: A Research on the Man and his Art/tistic Contributions
1200-1300Lunch
1330-1500Participant’s Presentation Workshop: Small group discussion*
1500-1530Afternoon Tea
1530-1700Attempts to Co-locate and to Coincide: Southeast Asia in the Contemporary
Seminar led by Prof Patrick Flores
03/9 (Thu)
PUBLIC EVENT: Connecting Southeast Asian Art Histories
Ruang Seminar, Faculty of Art and Design
Jl. Ganesha no. 10 Bandung
0900-0930Participants and Leaders arrive
0930-0945Welcome Speech
Dr Yustiono, Senior lecturer, Aesthetics and the Science of Art Research Group
0945-1015Opening address: Introducing the Ambitious Alignments Program
Prof Mark Ledbury
1015-1045Morning Tea
1045-1130Enmeshed Art Histories - the case of The Other Story
Hammad Nasar
1130-1215Lexicon of Latitude: Southeast Asia as Extensive Locality
Prof Patrick Flores
1215-1330Lunch
1130-1215Problems in Indonesian Art centers and Museums
Dr Agung Hujatnika
1415-1500Q & A: Open discussion with Hammad Nasar, Prof Patrick Flores and Dr Agung Hujatnika
1500-1530Afternoon Tea
1530-1700Roundtable Discussion: What shapes, what holds back, and what will push forward art history in Southeast Asia?
Moderator: Emeritus Prof John Clark
Discussants: Prof. T.K. Sabapathy (National University of Singapore); Prof. Patrick Flores (University of the Philippines), Low Sze Wee (National Gallery Singapore), Dr. Thomas Berghuis (Museum MACAN), Hammad Nasar (Asia Art Archive), Prof. Adrian Vickers (University of Sydney)
1700-1715Closing address
1730Depart for S14 by bus
1830-2030Private closing reception at S14
04/9 (Fri)
Galeri Soemardja ITB
0900-0930Participants and Leaders arrive
0930-1100Participants’ Presentations
Wulan Dirgantoro
Trauma and Silence: Affect in Indonesian Paintings, 1970-1980
Eileen Ramirez
Triangulated Subjectivities: Counting on the Unreliable to Write Affect into Histories of the Site Specific
Nathalie Johnston
Image as Nation: Seeking Identities of a Post-Colonial Burma
1100-1230Morning Tea / Prayer Break
1230-1330Lunch / Prayer Break
1330-1430Participant’s Presentation Workshop: Small group discussion*
1430-1500Closing remarks, evaluation and discussion: Preparation for Final Presentation
1500Exhibition Preview led by Mr Sunaryo
Afternoon Tea
1630Depart for Lawang Wangi Creative Space by bus
1700Visit Lawang Wangi Creative Space
Optional walking tour to Art Hotels
1800-2000Closing dinner at Lawang Wangi Creative Space Restaurant

*Note: Please ensure to check back here regularly for updates. This program is subject to change.

Sydney Convening Meeting
03 March 2015

The Sydney Convening Meeting, which kicked off on 3 February 2015, at the University of Sydney, Camperdown, came to a successful close on 5 February 2015. Over three days, the scholars attended lectures by field experts, a reading seminar led by the Sydney leaders, and visited museums and special collections. Not only were the participants given opportunities to share their original research ideas with fellow participants, they also received invaluable feedback from attending field specialists and leaders. Some highlights included the tour given by Dr Stan Florek and Dr Siobhan Campbell on Anthony Forge’s Kamasan Collection at the Australian Museum (read blog entry), and the conversation session with Dr Michael Brand, at the Art Gallery of New South Wales. There is little doubt that the many stimulating conversations over coffee and food across the three days have given the participants plenty to think and talk about. It is precisely this type of congenial and convival environment that we hope would encourage colleagueship among the participants, drawn together by their deep interest in Southeast Asian art and history. We look forward to more intense discussions in the upcoming Bandung Workshop, 30 Aug-5 Sep 2015.

Program for Sydney Convening Meeting
20 January 2015

The Sydney Convening Meeting will kick off on 3 February 2015 at the University of Sydney. We welcome our international candidates and leaders, many of whom will be flying long distances to attend this three-day meeting.

Click on Show Program for an early preview of the many interesting talks and events lined up. The program can also be downloaded here.

We look forward to meeting everyone very soon!

DateTimeSession
Day 01
03 Feb 2015
9.00 – 9.30Morning Tea (CCANESA) (view map)
9.30 – 9.45Welcome opening
Prof Mark Ledbury
9.45 – 10.45Presentations by Group 1 [Thailand]
Chomchon Fusinpaiboon
Clare Veal
Thanavi Chotpradit
10.45 – 11.15Tea Break*
Candidates to sign-up for discussions with leaders on Day 3
11.15 – 12.30Presentations by Group 2 [Indonesia/Malaya]
Aminudin Siregar
Kelvin Chuah
Simon Soon
Wulan Dirgantoro
12.30 – 13.00Lunch (CCANESA)
13.00 – 14.00“Establishing artists’ materials files and the efficacy of their mapping biographically, and in works: The different cases of Raden Saleh and Araya Rasdjarmrearnsook”
Emeritus Prof John Clark
14.00 – 15.00“Thinking about Interculturality: A Case from 18th c. China and Europe”
Dr. Stephen Whiteman
15.00 – 15.30Tea Break*
Candidates to sign-up for discussions with leaders on Day 3
15.30 – 16.30"Ethnographic Art History: Thoughts, Conversation”
Prof Ken George
16.30 – 17.30“History meets Art history: Thoughts about common methodologies and disciplinary differences”
Prof Adrian Vickers
Day 02
04 Feb 2015
9.00 – 9.30Morning Tea (CCANESA) (view map)
9.30 – 9.45Opening Address
Prof Adrian Vickers
9.45 – 10.45Presentations by Group 3 [Southeast Asia]
Brigitta Isabella
Eileen Ramirez
Vera Mey
10.45 – 11.00Tea Break
11.00 – 12.00Talk and Session led by Prof Mark Ledbury
12.00 – 12.30Lunch (CCANESA)
12.30 – 13.00Proceed to Australian Museum by public transport
13.15 – 15.00Australian Museum
Viewing of Anthony Forge Collection
Talks by Dr Stan Florek and Dr Siobhan Campbell
Session 1 [45min]: Groups 1 & 2
Session 2 [45min]: Groups 3 & 4
15.00 – 15.30Tea break at Australian Museum Café
16.00 – 17.30Meeting at Art Gallery of New South Wales
[Program TBC]
17.30 – Evening*Optional: NSW Art Gallery public events
6.00 pm: Art Appreciation lecture series 2015 – “Botticelli: The virgin adoring the sleeping Christ Child” [Tickets online]
6.30 pm: Oz Pop talks, Steven Miller, archivist [Free with exhibition entry]
7.15 pm: Film series: Pop cinema Performance [Free]
Day 03
05 Feb 2015
9.00 – 9.30Morning Tea (CCANESA) (view map)
9.30 – 10.50Presentations by Group 4
[Myanmar/Cambodia/Vietnam]:
Nathalie Johnston
Melissa Carlson
Roger Nelson
Bùi Thị Thanh Mai
10.50 – 11.50Tea Break
Individual meetings with leaders in
Break-out rooms (R.C. Mills Building)
Candidates free to explore Schaeffer Fine Arts Library and collection
12.00 – 13.00Lunch (CCANESA)
13.00 – 15.00Reading Seminar
Led by Emeritus Prof John Clark, Prof Adrian Vickers, and Dr Stephen Whiteman
15.00 – 16.00Tea Break
Individual meetings with leaders in
Break-out rooms (R.C. Mills Building)
Candidates free to explore Schaeffer Fine Arts Library and collection
16.00 – 17.15Discussion and Planning
17.15 – 17.30Closing address
Prof Mark Ledbury
18.30 – EveningDinner at Rubyos (Newtown)

*Note: Please ensure to check back here regularly for updates. This program is subject to change.

Our web application is now ready!
18 January 2015

On 18 January 2015, the Ambitious Alignments Web Application went live. With this private communication tool now in place, candidates and leaders can share innovative ideas and resources with one another. We believe that a platform such as this can serve to not only cultivate a collegial network but to also create important opportunities for collaboration in the future. Candidates are encouraged to participate actively in the discussion forums, and we look forward to plenty of interesting and stimulating discussion in the months to come!

Our First Meeting in Sydney
1 December 2014

Plans are now underway for the inaugural convening meeting held at the University of Sydney in February 2015. The leaders and participants will gather for the first time to meet each other, discuss their plans and research aims, and share ideas and methodologies. To read more about the Participants’ exciting research topics, click here.

Hosted by the Power Institute at the University of Sydney, this initial meeting will be held over three days. The group will work together to lay out their plans and expectations but also reflect on the problems and possibilities of the current state of Southeast Asian art history. The meeting initiates a project that will see the cohort re-convene first in in Bandung and then Singapore, to bring their research findings and working theses to intensive workshops with field experts. This website will be regularly updated with news and outcomes of all our meetings as well as audio and video segments curated by our participants and leaders.

The Power Institute
2 December 2014

The Power Institute is a research institute and public engagement space in visual art, which supports scholarship in the Department of Art History & Film Studies and throughout Australia, as well as the development of the Schaeffer Fine Arts Library, Visual Resources Library, Power Publications and a lively speaker program. A member of RIHA, the umbrella body for Research Institutes worldwide the Power is actively in partnership with institutions across the globe. We are delighted to be part of the transformational initiative of the Getty Foundation, “Connecting Art Histories”, which chimes so precisely with our own global and networked vision of twenty-first century scholarship in the visual arts. We’re very much looking forward to hosting such a brilliant and energetic group of early career scholars and to helping to nurture a vital series of personal and institutional connections.

More information about the Power Institute can be found here.